15 Ways to be Annoying

1) Spend all day at a fast food restaurant, seeing how long it will take until your free refills cost money.
2) If paged, wait until midnight to answer the call.
3) Construct an elaborate display of ropes in your backyard and tell your neighbors that you're a "spider person."
4) When attending a movie you've already seen, yell out: "Don't let him in! He's the killer!"
5. When buying a goldfish at a pet store, ask the salesperson how often you should walk it.
6) When in a crowded elevator, say loudly: "I hope I fixed it this time."
7) Beep when a large person backs up.
8) Look around suspiciously in public and tell onlookers about the "little men."
9) Insist on making inanimate objects "dance"
10) Occasionally talk into your hand in public.
11) Carry a duffel bag onto an elevator, wait until it's full, then ask if anyone knows how to disarm a bomb in less than 19 seconds.
12) When stopped at a traffic light during rush hour, claw desperately at the roof of the car.
13) Insist that someone accompany you to the public rest room because of Henry, the toilet monster.
14) While carpooling, make swervy turns while imitating crash noises.
15) Insist that life is "one big musical," then try to prove your theory by randomly breaking out into song in public.

A Choristers' Guide To Keeping Conductors In Line

The basic training of every singer should, of course, include myriad types of practical and theoretical emphases. One important area which is often neglected, however, is the art of one-upmanship. The following rules are intended as guides to the development of habits which will promote the proper type of relationship between singer and conductor.
1. Never be satisfied with the starting pitch. If the conductor uses a pitch-pipe, make known your preference for pitches from the piano and vice-versa.
2. Complain about the temperature of the rehearsal room, the lighting, crowded space, and of a draft. It's best to do this when the conductor is under pressure.
3. Bury your head in the music just before cues.
4. Ask for a re-audition or seating change. Ask often. Give the impression you're about to quit. Let the conductor know you're there as a personal favour.
5. Loudly clear your throat during pauses (tenors are trained to do this from birth). Quiet instrumental interludes are a good chance to blow your nose.
6. Long after a passage has gone by, ask the conductor if your C# was in tune. This is especially effective if you had no C# or were not singing at the time.
7. At dramatic moments in the music (which the conductor is emoting), be busy marking your music so that the climaxes will sound empty and disappointing.
8. Wait until well into a rehearsal before letting the conductor know that you don't have the music.
9. Look at your watch frequently. Shake it in disbelief occasionally.
10. When possible, sing your part either an octave above or below what is written. This is excellent ear-training for the conductor. If he hears the pitch, deny it vehemently and claim that it must have been the combination tone.
11. Tell the conductor, "I can't find the beat." Conductors are always sensitive about their "stick technique" so challenge it frequently.
12. If you are singing in a language with which the conductor is the least bit unfamiliar, ask her as many questions as possible about the meaning of individual words. If this fails, ask her about the pronunciation of the most difficult words. Occasionally, say the word twice and ask her preference, making to say it exactly the same both times. If she remarks on their similarity, give her a look of utter disdain and mumble under your breath about the "subtleties of inflection".
13. Ask the conductor if he has listened to the von Karajan recording of the piece. Imply that he could learn a thing or two from it. Also good: ask, "Is this the first time you've conducted this piece?"
14. If your articulation differs from that of others singing the same phrase, stick to your guns. Do not ask the conductor which is correct until backstage just before the concert.
15. Find an excuse to leave the rehearsal about 15 minutes early so that others will become restless and start to fidget.Make every effort to take the attention away from the podium and put it on you, where it belongs!

Top 10 Signs of a Bad Christmas Tree.

Top 10 signs you bought a bad Christmas tree:

10. Two feet tall, forty feet wide
9. Salesman's opening line: "You're not a cop, are you?"
8. It looks suspiciously like a broom handle with a lot of coat hangers stuck into it
7. While you sleep, it gets liquored up and takes the family caravan for a joy ride
6. Each branch has "Duraflame" printed on it
5. Keeps heckling while you try to do a lame top ten list
4. It's very small and says "Air Freshener" on it
3. Rabbis have better Christmas trees than yours
2. Some guy named Mujibur puts a cheap Statue of Liberty on top of it
1. Constantly bragging about its "trunk size"